• Mighty Delay (Mac only) - MIDI MIGHTY
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MIDI MIGHTY

Mighty Delay (Mac only)

Mighty Delay (Mac only)

$ 24.00 USD
$ 40.00 USD $ 24.00 USD
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Note: currently Mac (AU) only.

A Delay plugin built for feel. 

A single intensity knob controls everything under the hood giving you a delay with feel, vibe bounce, and groove. 

All in one knob. 

No complicated settings. No reading manuals. Just better sounding, and feeling, drums.

Style & Feel Presets
Twelve combined presets in one dropdown; four tone characteristics (Clean, Analog, Wide, Dirty, paired with three timing personalities (Tight, Swing, Loose).

BPM Sync
Automatically locks to your DAWs tempo.

Feedback Loop Processing
Every repeat passes through a high-pass filter, low-pass filter, and a tanh saturator before feeding back. Echoes naturally darken and warm with each pass just like an analog tape delay.

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One knob controls all the technical details under the hood so you don't have to.

Built for feel, not audio engineers

Intensity:Turn it up to add more of the effect. 

Style &Feel: 12 total combinations to select from

BPM Sync: Locks to your DAW but you select the subdivision

Mix: Controls the wet/dry

When to use Mighty Delay

Use Mighty Delay if:

  • You want to add subtle character to your drums
  • You want texture on your drums
  • Your drum pattern is thin and needs filling out
  • You want a touch more groove and bounce

Mighty Delay's not for you if you want:

  • Huge stylistic changes to your drum sounds
  • Dramatic changes to your drums
  • To make poor samples sound high quality

Feelings not frequencies

Mighty Delay is built for the beat makers, not the audio engineers.

4 tones for character

  • Clean

    Repeats are bright and clear. They sound almost identical to your original signal, just quieter and slighlty behind. Adds depth.

  • Analog

    Warm, natural and tape-like. Each repeat sounds a little warmer and slightly darker than the one before. Kind of like a vintage tape echo machine where the sounds degrades beautifully with every pass.

  • Wide

    The echoes spread out left and right with a gentle shimmer, almost like a chorus and a delay happening at the same time. Great for anything you want to feel spacious.

  • Dirty

    A bit gritty, a bit lofi. Repeats are darker, grittier, and more worn like an old cassette tape being played one too many times. Echoes stay centered and punchy rather than spreading out. More about attitude than space.

3 feels for groove

  • Tight

    Locked to the grid. Repeats land exactly on the beat every single time.

  • Swing

    Laid back bounce. One side of the stereo field lands slightly behind the other giving the echoes a natural pull.

  • Loose

    Organic and never quite the same twice. Each repeat drifts slightly in time. Not enough to feel off tempo, but enough to feel human and alive.

more bounce to the ounce

Mighty Delay is simple on top, but has a lot going on underneath.

more features

  • Natural Repeats

    Each echo gets a little warmer and darker than the one before — like the sound is traveling further away with every repeat. It never builds into a wall of noise. The echoes just naturally fade out the way you'd want them to, without having to automate anything.

  • Ducking

    The delay listens to what you're doing. When you're singing or playing, it steps back and stays out of the way. When you stop, it swells forward and fills the space. Your vocals stay clear and present, and the echoes fill the gaps between phrases naturally.

  • Mix Knob & Clean Bypass

    The Mix knob blends the delay in at a consistent volume. No sudden loudness jump when you engage it. And when you bypass the plugin, the echoes fade out smoothly rather than cutting off mid-repeat. It just behaves the way you'd expect a great plugin to behave.

  • BPM Sync

    The delay locks to your session tempo automatically. Pick how you want it to land: on the beat, between beats, or on the dotted, and it stays in time no matter what. Change your tempo and it follows. You never have to think about milliseconds.